Joshua Bell and friends brought their brief residency at Wigmore Hallto a fiery finale with impassioned performances of Smetana and Dvořák. These chamber pieces became virtuoso vehicles in the hands of the five musicians, with the dialogic nature of the repertoire prompting the players to spur one another on. The first half of the programme may not have been up to the same high standard, but this was still a successful and memorable collaboration.
The Minimalism Unwrapped series at Kings Place has been questioning the concept of minimalism as much as affirming a body of works embodying the genre and its ideals. The Duke Quartet’s concert was no exception, juxtaposing Kevin Volans’ episodic Hunting:Gathering with the narrative sweep of John Tavener’s The Hidden Treasure. While the programme effectively juxtaposed the individual voices of each of the composers, the Tavener received the most striking performance by far.
Kirill Gerstein’s most recent recital programme features works which push pedagogic forms to their extreme, exploring their cross-over into concert repertoire. While Liszt’s Transcendental Etudes were full of colour and character, Gerstein failed to draw as much musical interest out of the repertoire in the first half.